A whacky take on the geography of Apartheid in Cape Town. Using the Black River as both metaphor and embodiment of separation and displacement, Edwards constructs poetic tableaux of water and sound to convey how the city’s musical traditions, often markers of ethnic identity, reinforce the ghettoisation of culture or serve to bring people together. Includes interviews, backstage banter and live concert footage of musicians ranging from kwaito stars and Brenda Fassie to right-wing Christian punk rockers. A beautifully shot, intelligent and compelling visual essay exploring the crosscurrents of history, culture and religion that gave rise to this fabulous city.